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Around and Around and Around

Deeya Prakash
December 2, 2022

When I was 13, the golden girl and I used to paint each other’s nails in the closet next to her bed. Squished up against old comforters and nestled underneath a baby blue fitted sheet was our salon, bottles neatly arranged like the balls on a pool table. Our laughter echoed off the walls. Her shoulders pushed against mine. It was my favorite place to be. I was at a mock trial competition once and I had to step out of the elevator because it felt too tight. I was 17 and the bodies of our teammates and advisors and parents who had hauled ass to the courthouse at 6:30 am were pressing into every part of me and I couldn’t think about anything except for how many floors remained. The elevator climbed. It opened 4 floors too early. Someone was trying to get on.I pushed my way out and ran towards the stairs.It’s the same with porta-potties. Tunnels. Those fitting rooms where there’s no crack of space at the bottom. Revolving doors too. It is easy to think that walking is a practice that is done intuitively, but ethnographers across the country analyze the way that throngs of people move in tandem, footsteps synchronized as a horde of individuals move in the same direction. Revolving doors have been a gift for these researchers— they look at walking cultures. Who goes in? Who goes out? How many people go in at once? What if you don’t get out in time? What if you just keep going around and around and around? ok see but what if i got stuck in there like there would be no possible way i could but what if i mean there’s always a way there’s a way for anything to happen so what if i just go in and it doesn’t do the spinny thing anymore and i’m trapped what then what do i do then how would i get out and what if someone else was in there with me and we were both trapped in the quarter slice and what if our breath fogged up the sides and we ran out of oxygen and then what if we revolving door: n. a door having usually four partitions set at right angles radiating out from, and revolving on, a central vertical axis, allowing large numbers of people to pass through while eliminating draughts. We are sitting in my senior psychology class and I am 18 and there is a breeze coming from the window on the wall. I am talking to my seat neighbor. Her name is Cleo. We have been good friends for a few years, her English accent a velvet fabric covering the bright light of the classroom. She is excited because her cross country meet is tonight, and she has a chance of taking home some hardware. When I was 14, I noticed Cleo in the hallway and told myself that I would be friends with that girl. She had on a wool cap and wore a satchel instead of a backpack. She had one of those smiles that makes you feel like the inside of a snowglobe. Hazy.We learn about a principle called the revolving door syndrome. Cleo lets out a soft “oh” when she hears the name and smiles. “I love revolving doors,” she says but it really sounds like she’s saying, “I luv revourving durs.”

A Golden Start

Renee Oh
November 19, 2022

Green is not the color of a leaf. The leaves are yellow with a tint of baby blue, and their glossy tips are colors of light. Sometimes, that color is an orange blur of people waking up, the bright white of students playing soccer during lunch, or a gentle carmine of the strenuous way back home. They are the refuge of little flying wings under the streetlamp, the destination of heavy footsteps of departing lovers, and a lighthouse securing its place on the stormiest night. They are always near us, occupying the space of neglect. When you rub them with your fingers, you can tell that the bottom is the True part of the leaves, even though the top bears the most attention. While the top is soft and tender, the bottom parts of the leaves are harsh, ticklish, ugly with scratches made by the bugs eating them little by little, and dark from the shadows always dawning upon them. But they are the wounded warriors that endured the severe summer thunderstorm and heavy winter snow. We never see the bottom of the leaves. But we can sense them.Orange is the color of my sorrow. It is my disgust, jealousy, and wanting. It is also endless sunsets, perpetual survival, an urge to burn myself and show it to the world, circles on the ground from twirling in a sundress under the burning August sun, and your cheeks glowing in the dark. Orange sorrow is the long silence after I asked you when you were coming back to school. Orange sorrow is me waiting for you to call me first for two years. Orange sorrow is my first kiss with you in front of the Walling House, ugly and torturous and beautiful. Orange sorrow is deprivation, the essence of humanity, what makes me feel human — what I have, I want more, and what I lack, I must have. It is my greed and my lack. Orange asks me why I hate it so much when so many things I love are orange. Orange sorrow is when I reply “my love is why I hate you”.Green is the color of your sorrow. You hate green, and I tell you I feel the same. Fun fact: green was once my favorite color. Green is what once was our uniforms — now only mine — the straw in a fragile plastic coffee cup, a freshly mowed lawn that could be seen from your dorm room, twinkling dust particles on your PlayStation, and the plastic wrapper of the fig bar you ate for every single meal because you were too scared to go to the dining hall. Green sorrow is the countless nights you locked yourself in the closet. Green sorrow is their laughter when you were being beaten up. Green sorrow is how you grin: tear-filled dents in your pale pink cheeks, a bump stop on your face, where your green tears reside. Green sorrow is your confession. It is me watching them now, still calling you their friend. Green sorrow is what cannot be taken back, the wound in your heart that changed the world. Green sorrow is neverending; it will be here even after a thousand years, floating in the air without corrupting our bodies, a parasite that devours the world. Your green sorrow is the only color I cannot find beauty in. Yet, your green sorrow is what people think makes up the leaves. But this is not the caseWhite is the color of my happiness. It is the frilly dresses of late May, your eyes gleaming in the dark, the streetlamps we walked by after Study Hall every weeknight, my socks, and your shirt, soft and crisp and smeared in brown from your chocolate bar. My white happiness is cheese-colored cats, me watching the squirrels in the back of Seymour Hall, the fur slowly growing on my dog’s back, and the blooming of magnolia flowers in my backyard like the growing roots of Mom’s shiny hair. It is my favorite word, sonoluminescence, bubbles of white lights floating, collapsing, and transmitting. White is the anticipation of finally seeing you after two years. My white happiness is Bozeman, Seoul, Hudson, and 5,607 miles. White is my trivial happiness, and luckily for us, my white happiness is never-ending, just like your green sorrow.Pink is the color of your happiness. Your pink happiness is your favorite tie, my knitting yarn sitting on your bed, the vitamin gummies you used to take, and the backpack you got me for my birthday. It is your ears when I told you I liked you two years — almost three — ago, numerous facetime calls from Montana, and the paws of your dog Ted. It is also your mom, sister, and dad. Your pink happiness is how much I miss you. Your pink happiness is my orange sorrow; they are similar colors, sitting next to each other on the color wheel, once having defined something — but now meaningless. My orange sorrow is also how much I miss you. Pink is the yearning, and it is beautiful. And maybe that is why it is yours, not mine. Purple is the color of my anger. I admit I am almost always angry. Purple anger is the kind that drives me crazy but makes you feel comfortable. It is the reason for my superficial neglect, the cover of your journal, the 7:00 PM alarm on your phone, our little game where we used to name all the synonyms of joy, and tiny wet teardrops on your blue blanket. Purple anger is ugly, but you shouldn’t mistake this for my orange sorrow. Purple anger can be replaced with many colors, but orange sorrow cannot be replaced. Purple anger sometimes comes in orange sorrow, red secret, or even white happiness. But orange sorrow does not. And together, theycompose the stunning color of the glistening tips of leaves.Your anger lacks a color. Your anger is the tear streaks on your cheeks, fist with tight knuckles, their Nike sneakers on your face, the phone call you got in early February, the cries of your sister and your mom, and moving to a different neighborhood in the middle of the year. Your anger is the way their hands are of your color, but their hearts are empty. So my purple anger turns into a richer shade, a raisin in your favorite muffin or wine spiraling in a broken glass.Red is the color of our secrets. Our red is not an alert but a promise, the fading ring on my middle finger that you gave me, the rosy tips of pale noses in a snowy winter, the sky on fire right before the sunset, the reason I never invited you to my graduation, and the button on my screen — decline. Our red secrets are what keep your pink happiness safe. My red secret and your red secret are different. My red secret is me ignoring your call in the second week of February, closing my eyes when walking past where you once lived, and writing you letters that I will never send. Your red secret is you calling me every night in the second week of February, never showing me your new school, and never learning anything about my letters. I always imagine what would happen if I picked up your call. I know that I would regret doing it. Our red secret is the foundation of our relationship, your refuge, my lighthouse, and our effort. But it is never our destination.Brown is the color of my ignorance. It is my tote bag, a pair of Converse shoes that I got you for your birthday, the pistil of a short sunflower standing tall on my way home, our large iced lattes with 2% milk, your fingers covered in melting Hershey chocolate bar under the smoldering sun, chocolate all over your lips and everywhere you touched, and your hair, light brown with golden streaks reflecting the white sunlight. My brown ignorance is your teardrops engraved in the small bedroom where no one could see. My brown ignorance is your knot-scarred forehead. This brown ignorance is both bliss and a curse. It is my guilt. My brown ignorance is your wish: your yellow dream. I didn’t want you to know. I didn’t want anyone to know. I didn’t want you to know. My brown ignorance, your words: each other’s fragments.Rose is the color of your ignorance. Frankly, you really don’t know anything. And this is why your rose ignorance is the same as your pink happiness.Yellow is the color of your dream. Your yellow dream is the petals of a sunflower, sunlight penetrating human eyes, noon, the word “lunch,” “Just give me a reason” by Pink that you were listening to when I first walked into Room 215, and the blue hue of the sunset. Your yellow dream is a place where they do not exist. Your yellow dream is a product of your red secret and green sorrow. Your yellow dream wants everyone to close their eyes and fall asleep, slipping back into their own dreams: silent desire for escape. Your yellow dream is something more than a secret but less than sorrow. Your yellow dream is not a choice. However, your yellow dream is a lie. In fact, your yellow dream is something that no longer exists. All that is left now is just a deeper shade of green: an emerald glowing the brightest in the darkest night, tear-soaked eyes, blazers in the rainy morning, a snake stuck in its own skin, and dead leaves right before decaying.Gray is the color of my dream. My gray dream is a blank piece of white graph paper with an infinite number of grids, one pigeon left alone crying from the Pigeonhole principle, a ridiculous amount of honey in my tea, Hilbert’s paradox of the Grand Hotel and my infinite guests of emotions, and the uncoiling memories of us. It is the rationale, reason, and the answer I am looking for. My gray dream is a baby powder tapped into the pores of my body, artificially blocking the colors flooding everywhere. My gray dream is Infinite Jest sitting on your desk, pages filled with streaks of pink highlighters and little green notes. My gray dream is my Differential Equations textbook, pages filled with integrals and derivatives, the reflection of human joy in destroying things and putting them back together like lego blocks that once was a synthetic flower but are now a mechanical robot arm. My gray dream exists, but I know that it is unobtainable. Gray dream is a motivation towards something I can never have. Gray dream is the shadow under the leaves, the only thing that the bottom of the leaves can see. Blue is the color of your grief. All I saw for months were blue bubbles: Are you ok? Please call. Please text back. Please. Please. Please. I miss you. And a gray bubble with three empty dots, reading our blue but never writing back.Black is the color of our trust. Black trust is everything we feel: sorrow, happiness, guilt, grief, secrets, dreams, anger. Black trust is a pile of ashes after burning a warm piece of flesh, the screen of silence after the long credits at the end of the movie, the sky during heavy snowfall, silver ripples on the walls of your grandparent’s house in Akron, your tux, the hypocrisy of white nights, and our pre-prom facetime date that was your dinner and my breakfast. My black trust is getting you flowers and mailing them to your house, just to see you not wearing any the day of prom, but seeing them a day later lying next to your bed, wrapped in pink under the sun. Your black trust is the first time you vomited your green sorrow and red secrets that tattered your heart in a small guest room of your grandparent’s house, sitting next to your now-cold instant ramen and my Nintendo, your pale face full of tears. Your black trust is the first time you told me what happened in the place I love. Our black trust is my silence and your revelation. It is what I think of when I get too tired of living, and I am reminded of you with the hope that you would do the same too. Black trust is the fact that the darkest color can give you the warmest embrace.Teal is the color of my frustration. It is my inability to see the world without two pieces of SiO2 lying in front of my eyes, the way that my emails are signed “Best” or “Best Regards” when what I really want to say is “Shut up,” and the correlation of mundane love and enduring life. It is the ocean hiding plastic waste we belch and vomit into the world, the slow increment of frustration and destruction. It is the wings of a moth flying wherever they want even though they are disgusted. It is the way I do not believe in anything — cannot believe in anything — when I want to believe everything. My teal frustration is my lies disguised as the most benign tumor boiling in my blood, gooey and grotty and gross. It is the way I say I hate everything when what I really feel is love. It is my desire and inability to ignite myself and others but rather hope for a transformation and continue to run. It is the irony of you telling me your worst nightmare: you lying dead in front of your parents. It comes from your green tears and blue bubbles. My worst nightmare is dying from a nuclear bomb, an explosion that swallows the world. Why is death our nightmares when we are all dying anyway? Death is, I think, all colors sitting on a white piece of paper, waiting to be mixed with one another, but ending up becoming dry and lifeless. It is a desert of a hundred colors, and rather than sand, there are acrylic paint dunes on one side and valleys made from the strokes of a paintbrush on the other. My death is the cessation of fizzy rain in my head like a sneak peek of a celebration, a secure feeling of not having to do tomorrow, me turning into whatever color others assign me to, and a slight hope that people I love would remember me. What color is your death? I think of the drought on your color palette with your colors never getting watered. How long will this continue? Every day different colors and finally getting tired of them as life goes on. I know We are only eighteen. Do you think our 36, 54, or 72 years of life would paint us with new colors? Or are we just footnotes with each letter in different colors like one of those meaningless letters in children’s books? You might say that reminds me of my brother when he was going through puberty: Why would you ask that? You’re so depressing. Stop thinking about those things! And if you were still here, you would grab my shoulders and shake my body back and forth as if you were trying to get rid of my brain, and I would laugh, hoping that my brain would fly away with my laughter. I wish I could.Holding hands is a marshmallow with pink and purple swirls that become visible when you rip apart white gelatin made out of dead pigs. It is the squishy tide pods with chemicals wrapped in a tumor-causing monomer, cashmere yarns made out of the hair of dead goats, overly sweet and sometimes bitter taste of a cheap synthetic-strawberry candy stuck onto a shiny plastic wrap, and a mint mixed with white and red that turns into a piece of chalk when it touches my tongue. It is the texture of our skin, my trapezoid carpal clicking with yours, creases on our palms with patterns like the stained glasses of a cathedral, and the liberation of sensation. It is delicate yet not too intimate, tense yet endurable. You have a blueish-gray birthmark carved on the inside of your left index finger. And when I hold your hand, my thumb brushes a wave of rough water that sank beneath your hand. That moment, I realize this wave is the pig bones, dead goats, toxic monomers, and a wrinkly plastic wrap of a candy. And your birthmark: a sweet velvet taste, flower-scented chemicals, and a savory mint on my tongue.Gold is my nostalgia. Gold nostalgia is a pretty little rock I stole from the beach, a roll of expired 35mm film in my fridge, inhaling stories and exhaling emotions, and your Latin textbook that I kept in my dorm for two years. Gold nostalgia is my preference for Sing, Unburied, Sing over The Bean Trees, our yesterdays, party size bags of Lays chips sitting in your room because nobody wanted to finish them, and the unsaid rule of every day 10:15PM FaceTime calls. My gold nostalgia is warm like the sun, soft and fluffy like the tongues of cats, and inevitable like death. Gold nostalgia is the way we look at the sunsets of today but think of the sunrise of yesterday. It is the fading of your freckles in my head, the relation between the two words “yet” and “still,” and the way your name makes me want to go back. Gold nostalgia comes from not being able to forget, reset, or end. My gold nostalgia is your gleaming green eyes I see in my gray dreams, yet, still.Your nostalgia is a black hole: Big Bang Theory that can never be proven, the stupidity of Primordial Soup theory, and the tale of Adam and Eve that is even dumber than Primordial Soup. It is my urge to understand what I can never understand, so I make things up and try my best to believe my own stupid stories. It is the way I think nostalgia is the first emotion people realize that they are feeling. It is you dumping everything in your little black swirl, making it bigger, and boom! — finally, an explosion. In your nostalgia, you are your god, controlling the time and experiencing the beauty of creation, destruction, and reversal. Your nostalgia is the beginning, your everyday, and the first emotion of everything. Your nostalgia is the way your tongue clicks, sliding down the ceiling of your mouth, breathing through the gap between your teeth, and your lips crinkle and pucker like you are blowing a light through your lips: you whisper, “I miss you.” And this becomes the first time I have learned what my favorite word feels like — our nostalgia is sonoluminescence.Gold is also the color of our present. It is you taking a gap year to take care of your family, just like your father did before he went to college. It is the fact that you are coming back to Montana, after everything you have been through in a cruel and lovely place. It is the fact that we stopped speaking to each other, but I am still seeing you in my dreams. It is our very last call, right before Theo’s wedding, you telling me to stop talking to you. It is the pleasant and happy and sad and disappointing fact that you don’t need me anymore. It is your number blocked on my phone, not because I do not want you to call me, but because I will not let myself to call you. I bet my number is blocked on your phone as well, and I love thinking about that. I will not be able to hear your voice at all. But I think of you all the time; one day, you need to tell me you think of me too. It is a scene in my dreams: me and you after 20 years, coincidently encountering each other under the golden sky of a random street no one has ever heard of before which now became a special space established by us. But just like the golden skies of Hudson we walked under every night, the skies here in Providence glow gold too. And whenever I feel golden, I think of us, how we once walked under the white street lamps in between green grasses of Hudson, now in different parts of the world, how we no longer need each other to survive, but still think of our four years together, not because they were unpleasant memories, but because they were golden.‍

A Trip to Hawai'i

Ellen Yoo
November 18, 2022

The rich air hits me as we step off the plane: it feels like a hibiscus has wrapped itself around me in a sweet hug. We’re heading to a farming Workaway in Keaau, but we’re spending the first day in Kailua-Kona: dinner and sunset at the beach. It just stopped raining and the golden rays gleaming through the clouds seem purposeful and almighty. I tell Mia it reminds me of God and she says: “That’s exactly what my mom says.” We walk a couple miles along the road heading to the beach with tacos in hand, and I don’t know if I’ve ever been happier. The land is lush and alive and I’m walking side-by-side with my terrifically funny, beautiful friend, far away from school and Covid. We’re dressed in plastic turquoise rain ponchos, skipping in the on-and-off drizzle and splashing in every puddle we can find.

A “greater freedom than what was out beyond the walls”

Emma Madgic
November 11, 2022

Give Leonard Jefferson a pen and paper, and he can draw anything. Paint, too—whether it be watercolors, acrylics, or charcoal, Jefferson does it all. He is also skilled at silk screen printing, making stained glass, and sewing.Jefferson perfected all of these crafts in an unlikely place: prison. He is still trying to get the murder conviction that landed him in prison overturned, claiming that he did not rob and murder Providence landlord Virginio DeFusco (who was found dead in his apartment building) on the evening of December 7, 1973. He served almost fifty years of his original conviction—a life sentence—and was released on parole from the Adult Correctional Institutions in December 2019.During the almost fifty years he spent in prison, Jefferson turned to art, his favorite childhood pastime, in order to stay sane.For three of those fifty years, Jefferson had only a flute, a few pencils, and sheets of printer paper with which to make music and art. In 1976, the installation of the Arts and Corrections Program introduced inmates to state-provided instruments, crochet and ceramics classes, and free painting supplies that revolutionized Jefferson’s experience.Art, Jefferson insisted, wasn’t a way to escape his circumstances at the ACI. Rather, he used his abilities to amplify the injustices he saw while incarcerated.“It wasn’t an escape from reality because for a lot of pieces, the subject matter is reality,” Jefferson said. “Art is a way to tell the story.”

For All Our Squirrels

Lucy Cooper-Silvis
November 11, 2022

On those special childhood afternoons when the world outside was pressed for all its worth, I’d gather the supplies necessary for a squirrel show. Pounding through dusty hallways, scuttling up and down the basement’s fearful steps, and lurking through the kitchen’s drawers, my small hands, sweaty from excitement, searched, discovered, and collected.I found a plastic bucket smelling of the blended, sweet echo of Halloween candy, deep enough to fit a bowling ball and several crammed-in Beanie Babies. I’d fill the pail with snacks from the kitchen, some forgotten by my parents, others stolen from under their noses: a half-filled sleeve of Saltines, stale after being left open for a week, an unopened box of Triscuits, two packages of Lay’s with grease already around the edges, and the careless Cheez-It crumbles rattling at the bottom of the bag. With the bucket full, I’d heft it with small-boned arms to the outside world, where the jays bullied robins and the robins snipped back. I stumbled down the porch’s steps, from which red paint peeled up in tongues. A foot or so away from the bottom stair, I positioned the bucket on a continent of pebbled pavement, separated from the rest by cords of dandelions and other quick-witted weeds. With the squirrel show carefully, animatedly set up, I’d return to the bottom step and wait, sometimes accompanied by friends or sisters, sometimes not. Co-hosts present or not, I’d watch patiently for my first performer, my breath eager and loud in the silence.II. AnticipatingThe fishtank filter hums as its waterfall tiptoes on the surface of the water. The angelfish within drifts forward and back. With its saucer eye, it regards the room: the closet doors overtaken by Post-it notes, books collapsing into rainbow gradients on shelves, and a desk crowded by leaves and cacti, at which a lone girl sits, staring back.I look at the fish, and then return to the words on my screen. The cursor stutters at the blank line following. The sentence is slow to draw near and scatters at the crackling of my keyboard, but I am patient. I look for support in my notes, pages filled with odd sentences, reminders about the story’s timeline, and a plot skeleton marked halfway through with roman numerals, the other half with arabic numerals. My eyes snag on one of those odd sentences: Pounding through dusty hallways…The sound of a keyboard at work joins the patter of the fishtank filter.3. Watching The squirrel was hesitant to approach the bucket, gray nose quivering. It skittered in staccato bursts: one moment, pressed on the grassy yard, the following, blending in with the edge of the sidewalk, the next, at the bucket, peering at the food inside.Standing there, its front paws on the pail and its cotton-candy tail twitching behind, it watched me, dark eyes innocently afraid, and it minced broken Cheez-its into flakes on its snowy chest. I watched the creature silently and without movement, so I wouldn’t scare it away when I’d spent so long tempting it here.‍

Olneyville Community Library: A Safe Haven for Patrons

Emma Madgic
November 4, 2022

Sandwiched between Stokes Street and Diamond Four C’s, so close to La Lupita you can smell onions and carnitas sizzling on a warm night, there is a dilapidated red brick building. A red sign alerts passerby to what’s inside: the Olneyville Community Library. The building looks unassuming, but don’t be fooled: inside is a bustling hub for parents, children, English learners, artists, and everyone in between. Here at Olneyville Community Library, there’s something for everyone. Tanya Diaz is working at one of the computers the library provides for free to visitors. Diaz has been here every day this week, applying for jobs in customer service and for government subsidized housing in Boston. She doesn’t have a laptop at home, and hasn’t had a job since the pandemic began. Marc Anselmi walks in and goes straight to the front desk, where he asks for information on prion, an abnormally folded protein that can trigger disease in animals and humans. Anselmi, a regular at the Olneyville Community Library, speaks in a harsh whisper but is a kind man, says library manager Joseph Morra. Anselmi’s two favorite subjects are botany and poetry, and he has helped the peace lilies in the library flourish. He’s a sucker for children’s movies, and checks one out almost every time he visits the library. Amanda Kathryn, a spritely young woman with tattoos covering her arms, sits at another computer. She signs in using her middle name, Kathryn, instead of her last name because she has an abusive ex-boyfriend who she’s afraid will find her if her first and last name are printed. She’s relatively new to the Olneyville Library — she moved to Olneyville in 2019. Today, she’s crafting her first resume.

My Mother the Chef

Izellah Zhang
November 4, 2022

My mother self-identifies as a chef rather than a cook. Even though the recipe might say one teaspoon of sugar, she would change the amount to something else because she believes that her version would taste a lot better, and be a lot healthier. Her initial attempts at baking were quite unsuccessful, to say the least. My mother was usually quite sure of which ingredients to put in, but she seemed lost with the first few cakes she made. I walked into the kitchen to pour myself a glass of water but instead, I found the kitchen in a mess. Untied flour, eggs, a weighing scale, and the chopping board were all spread out randomly. I had to scavenge in the mess to find where our kettle was. I’ve never been that much of a baker myself. Of course, after my mother’s fiasco in our kitchen, that’s hardly surprising. I remember one of the few attempts that I made at baking. A friend of mine was hanging out in our apartment one day, and out of the blue, she asked me if I wanted to make something with her. I realized that we had all the necessary materials anyway, so I told her, why not. We opened drawers and cupboards, looking for all the materials we needed. The kitchen seemed to expand in size as I searched diligently for things in cupboards and cabinets. The first cake my mother made was scorched on the outside. The odor of burnt crumb wafted through the kitchen and spread slowly into the rest of our home. The cake was covered in a coat of black, and the shape was also distorted. I think my mother tried to make it a regular cylinder shape, but the cake leaned to one side, and the base was smaller than the top. I scrunched my nose as I took in the cake—it didn’t look or smell good.

Casitas

Nélari Figueroa-Torres
October 28, 2022

Wailing children awaited me every morning and afternoon. Sticky remnants of spilled soda on leather seats, cracked with age, wiggled with each node in the journey. We sat. Only 6:45 am and we shipped ourselves to another barren municipality. Its main attraction was a colonnade of multicolor wooden houses, reflected on the dew, magnetized to the bus’ windows, foggy with nature’s chilled morning breath. Hours and bell rings later, kids were balmy, proving intelligence by spelling “Call of Duty” as K-A-L-O D-U-T-I. Exposed wooden ceilings. expose, the Fanta powder beneath the wooden cabinets, swiftly swept so Madrinita would not know we poured an extra glass. Our bikes jerked with the sidewalk’s potholes. Our knees never got a break from the chipped cement, cheeks never rested from disruptive cackles, and foreheads never thirsted for more beads of sweat. III Down the street and up the stairs was a universe on platforms and behind wooden doors. Of rough tiles and scattered paintings. Of floor fans and makeshift TV antennas. Tata greeted us with her sage hands & everything savored, heavenly. In monogrammed glasses, she served water that somehow tasted better than that of the same kind in any other cup, in any other home.

I Remember (Being Fed)

Simran Singh
October 28, 2022

I remember a bowl of plastic fruit. I remember the bowl sat atop the fridge in our little kitchen. Nothing more than a hidden decoration for the short and petite. Out of sight but not out of mind. I remember the bowl had all manner of fruit—grapes, apples, oranges, and a banana that was too yellow and misshapen to be mistaken for real. They were poor imitations, nothing more than props to be used by twenty-somethings with fussy children. But, nonetheless, they fed me. I remember my mother and I created a ritual to keep each other fed until the end of time. It went something like this: I complain about the texture of the rice. My mother mashes the curry and rice together by hand until it’s unidentifiable. She shovels spoonfuls of said nothingness into my mouth. In return, I offer her some of my plastic fruit, sometimes grapes or even the gnarly-looking banana. She pretends to take a bite and chew thoughtfully. End scene. We’d rinse and repeat this performance day after day, with my father, the stagehand, cleaning up anything we’d leave behind. I remember my mother recounting the story of the plastic fruit, even after I reassure her that I’d heard it enough times. She always likes to end with you were always such a picky eater, you know? Drama girl. I remember a glittery lunch box stained with curry. My mother woke up before the crack of dawn to pack hot lunch for my first day of school. I remember the food leaving a too-yellow banana-like residue on the cafeteria table in places where the box wasn’t tightly sealed. The boy next to me shrieked and pointed in horror. As if my lunchbox was an alien in a B-rated horror movie, just oozing ectoplasm. Disgusted, I threw everything away, staring longingly as the rice lay uneaten and limp at the bottom of the trash can. Inedible. Just another prop. I remember my mother saying, after I came back from school: Did you finish all the food I packed? When I showed her my empty lunchbox, she was overjoyed. It was my first convincing performance to date. I was always such a picky eater, you know? A drama girl. I remember begging my mother to buy me Lunchables the next time she went to the grocery store. The other kids at school wore those sliced ham and cheese crackers like personal badges of honor. And then I remember the crushing disappointment I felt after biting into my first ham slice. Like swallowing plastic (but maybe plastic was more edible). Cracker in hand, I remember staring in longing at the gritty cafeteria table, at the unmarked grave of the banana residue. I imagined willing the alien back to life with my gaze. I remember the bowl of plastic fruit. How it must have read, “WARNING: CHOKING HAZARD. KEEP OUT OF REACH OF SMALL CHILDREN.” I remember my first time trying a mango lassi. I was visiting my aunt in India, and we visited a roadside vendor for refreshments after being roasted alive in the Delhi sun. I remember taking a sip from the plastic cup and enjoying the way that the coolness spread along the back of my throat. I prayed I could feel that cold all the time. I remember my first time getting food poisoning after trying a mango lassi. Ten sips later and I lay on the exposed cement floor of my aunt’s apartment clutching my abdomen. Later I would learn that the tourists called it “Delhi Belly,” but I was adamant that I was no alien (just my gut apparently). I was always such a picky eater, you know? Even my gut was picky! I spent my remaining days in bed purging this familiar parasite from my body, like an A24 movie. Like I was ejecting a bottomless cornucopia of phony fruit. Fruit that comes with labels like “WARNING: CHOKING HAZARD.” I remember alien guts and gut aliens. I remember a biology professor’s presentation on how immigration changes the human gut microbiome. I imagined my mother stepping foot on U.S. soil for the first time and being stripped bare, her old gut displaced by a new one. A misshapen alien-banana one. Then passing her newfound loss onto her daughters. I remember blaming my food poisoning on a fraudulent army of gut colonizers infiltrating her DNA, my DNA. I was always such a picky eater. But pickiness is in our genes, don’t you see? Doesn’t it all make sense now? Doesn’t it? I remember. I remember it all, but I forgot where my mother keeps the bowl of plastic fruit. Remind me to ask.

perennials

Alyssa Sherry
October 21, 2022

the rocks were jagged beneath us and tattooed with spray paint that softened like sweat on our fingers. new york city shimmered distant, a needlepoint constellation stitched against the june horizon. as we sat there i didn’t even think to ask where your mother had been buried. maybe i should have, but i don’t know what kind of flowers she would have liked best for me to leave behind. i think that her favorite book was where the crawdads sing. i don’t know the etiquette of a cemetery—if it’s socially acceptable to leave a novel at a headstone. it’s just occurring to me now that the movie just came out and she’ll never see it. in that moment i wanted to melt into you the way tear droplets bead together on chrysanthemums during a funeral. the evening buzzing around us, the cliff below us slicing into darkness, the city glinting in your glasses. suddenly between their frames i could see us again three years ago when you first texted me, “do u have plans this afternoon?” and i replied, “no, what’s up!!” you took me to our high school team’s lacrosse game—you had just painted your nails—they stood out waxy white against the dull chrome of the bleachers—i noticed because i couldn’t meet your eyes—kept looking down. you graduated the year before me, so we haven’t watched a game together in a while. “my father’s plumeria plant is going to bud in august,” i told you when we were sitting on those rocks before the skyline. i didn’t know if you cared—but he does. over four humid summers of longing i’ve watched its stem writhe from soil to sky. “i wonder if i will move away before it flowers.” pause. graffiti splattered near my foot—4evr yung! R + D ‘03. R and D must have grown up by now. i wondered if they had kids and then hated each other. pause again and then i told you, “i’m not sure if i like the way time passes.” this time last year your mother was still alive. there she is standing at your kitchen counter bent over a pyrex measuring bowl and asking me if i like snickerdoodles. of course, i tell her, she smiles, tucks a loose strand of hair behind her ear, leaves a smudge of batter clinging to the tendril, wait fifteen minutes, i smile and you do too. then she asks me how my mother is doing and i say same as always and she says, she is so strong, i hate cancer. i think you probably hate it more than i do, now. your mother probably hates it the most because it ate her from the inside out in only a month. when i found you in the bathroom at her wake i wanted to strangle every single other person in the building. like everyone staring at her corpse all done-up came to shed a few halfway tears and mutter in the threshold as they shuffled out, this is such a tragedy, i’m so glad it isn’t my mom in there, her poor daughter, she was supposed to leave for college today. you were supposed to leave for college that day. don’t you look at her like that! i wanted to scream as you convulsed in my arms in the bathroom and i made eye contact with myself in the bitter grime of the mirror. don’t you look at her unless you know how it feels! but i guess i was a little unfair: i didn’t really know how it felt either, and i hope i never do. and so a year later we were sitting there on those rocks before the skyline. your sweatshirt was so big that it swallowed you, a part of me registered how small you looked, maybe you were losing weight, maybe your heart just takes up a little less space now. you were talking about how much you missed suburbia since you left for boston, but i wondered if you really just missed your mom. “it may surprise you, but after you leave, you will want to come back,” you were saying. i felt teardrops on my face, and then realized that they were only rain.

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